As photographers we can easily fall into a rut of always seeing and photographing our world just one way. We find something that works and repeat. There’s not necessarily anything wrong with that, and done well it can be an important aspect of your style. But if you’re always photographing from eye level with a 50mm lens you’re missing out on alternative ways to tell visual stories.
The spring 2017 issue of the Association of Professional Landscape Designers (APLD) magazine, The Designer, features examples of my photography that show alternate views of the same garden. The story was written by Katie Elzer-Peters, a garden writer colleague I’ve known for several years. Continue reading →
Before you press your shutter release, take a good look at what’s in your frame. Pause a moment and take care of any little details you see that might detract from your photo.
In this pair of photos of the daylilies growing by our back door, in the first frame you see all the spent blossoms. That might be OK if the story you’re trying to tell is that daylily blossoms don’t last long and they linger on the stems until they dry up and fall off. But if what you’re after is a nice photo of daylilies blooming, then I think the photo looks a lot better with the spent blossoms removed.
It’s always easier to clean up details like this before capturing the image. Imagine how much time it would have taken in an image editing program like Photoshop to remove the spent blossoms and replace them with plausible background material.
I apply the same principle when photographing people. Let’s get that cat hair off your jacket before I trip the shutter.
It’s not exactly time travel, but you can freeze or expand time in your photos by choosing the right shutter speed. Grab your camera and take it out of its fully automatic mode and choose Shutter Priority instead. Now you can select the shutter speed that will treat moving subjects the way you want, rather than however your camera might randomly do it.
Moving water and sports action are two common subjects that benefit greatly from choosing the right shutter speed. Continue reading →
Sometimes you’ve just gotta put your face, and your camera, right down on the ground. Yep, down on your hands and knees, elbows in the dirt, maybe up close and personal with your subject.
If you’re like most of us, you make the majority of your photos from your standing eye level. You’re walking around and see something interesting so you put your camera to your eye and snap away. Nothing wrong with that, except that it gets boring when you’re always seeing the world from the same vantage point. Continue reading →
Last month Natalie and I vacationed in Yosemite National Park. It was her first visit, and I hadn’t been there in over 15 years. We spent a week in the park, enjoying early spring weather, grand views, waterfalls at their peak, and a few early wildflowers. While I briefly considered NOT carrying a camera on vacation, I couldn’t bear the thought that I might happen upon really wonderful light and weather conditions and not have the tools that would let me capture a unique view of this very heavily-photographed park. So I packed all my gear, some 30 pounds or so, and hauled it around on my back nearly every day. Continue reading →
Photographs lie. You may think that a photograph accurately represents an instant of reality frozen in time, but that’s not quite true.
While a photo may come much closer to portraying reality than a drawing or painting, as creative individuals we’re always using the tools at our disposal to stretch the truth. At the most basic, we choose what to include and what to leave out of the frame by where we position the camera and which lens we use. Camera position also affects how we perceive the relationship of objects within the frame. For example, by simply moving to one side I can eliminate a tree trunk or post seemingly growing out of Aunt Martha’s head. Continue reading →
Are you one of those photographers that dump all your photos into one “My Photos” folder on your computer without any organizing structure? If so, make getting your photos organized so you can find them one of your New Year’s resolutions for 2016.
Students in my photo workshops often ask me how I’m able to find all of the photos in my library. I’m a believer in having multiple levels of organization, from the physical way images are stored to detailed captions and keywords. This month I’ll address the bottom layer — physical organization — for digital files. There’s more than one way to address the problem, so figure out what’s going to work best for you in actual practice. The best system in the world is useless if you don’t use it. Continue reading →
Now that December is here we can no longer pretend it’s autumn. Winter has arrived, even though the calendar says the official start isn’t until December 21. The mountains are buried under snow, days are short, the sun stays low in the sky, it’s cold, and the color palette in our lowlands has turned to muted shades of brown, gray, and dull green. Time to put your camera away, or turn to strictly indoor scenes? Not at all. Here are seven tips to help you create winning winter landscapes. Continue reading →
Patterns are everywhere in the world around us. Our eyes and our brains are optimized for seeing and recognizing patterns, but turning them into photographs takes a little thought. We can find interesting visual patterns both in the natural world and in the built environment.
Patterns can be abstract or geometric, repetitive or unique. They may be revealed through color, texture, line, or brightness. We can find patterns at any scale from the microscopic to the vastness of interstellar space. With the right tools you can photograph them all. Continue reading →
One of the challenges in two-dimensional art, including photography, is creating the illusion of depth on a flat piece of paper or computer screen. Layering the elements in your composition is one way to do it.
Layering is a variation on having a foreground, middle ground, and background in your image. You can place your main subject in any of those positions, although layering is most effective when your subject is in the middle layer. The technique works for many subjects, whether you’re photographing your family, your car, or a favorite landscape. Continue reading →