How Do You See the Sunset?

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Sunset sky

Last Saturday evening Brian and I were hanging out in our living room after dinner when we noticed that the sky was getting dramatic outside our window. The photo above is a fairly conventional sunset view, pretty representative of what we saw with our naked eyes. But that’s not the first photo I made in the course of the few minutes of celestial drama. Continue reading

Go Long or Go Wide? Variations on a Theme

'Flore Pleno' Bloodroot, 300mm lens

As photographers, the lenses we choose can dramatically change the subject’s appearance in the finished photograph. I find that much of the time I fall back on my trusty 24-105mm zoom lens, which covers most of the subjects I photograph very well. But when I visited the patch of ‘Flore Pleno’ Bloodroot (Sanguinaria canadensis ‘Flore Pleno’) in our woodland-edge garden yesterday evening I left “old trusty” in my bag and picked three different lenses as I explored this spring ephemeral. Continue reading

Clear Winter’s Night

Birdfeeder & winter garden by moonlight
Birdfeeder and winter garden by moonlight

Last night when Brian and went to the kitchen for an evening snack we looked out the window to the garden and were surprised to see moonlight casting shadows. It was crisp and cold (mid 30s F), which is when we tend to get clear skies in the winter. I set up my tripod, mounted my camera, grabbed my puffy coat and a warm hat, and headed outside. The view above is from our patio, very much like what we saw from the kitchen window.

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Look Twice

APLD_Spring2017_cover
As photographers we can easily fall into a rut of always seeing and photographing our world just one way. We find something that works and repeat. There’s not necessarily anything wrong with that, and done well it can be an important aspect of your style. But if you’re always photographing from eye level with a 50mm lens you’re missing out on alternative ways to tell visual stories.

The spring 2017 issue of the Association of Professional Landscape Designers (APLD) magazine, The Designer, features examples of my photography that show alternate views of the same garden. The story was written by Katie Elzer-Peters, a garden writer colleague I’ve known for several years. Continue reading