A few months ago my friend Tom Kilpatrick, who owns the Hilltop Restaurant on Guide Meridian just south of Axton Road, called me to inquire about a couple of new pieces of mountain art for the restaurant. I prepared a preview gallery and Tom picked a couple of favorite photos. I snapped pictures of the walls in the restaurant so I could show him how his choices would look and to help decide on the right size. We came to agreement on the size and price and I got printed ordered.
Today I took two beautiful canvas prints out to the Hilltop with my tools and got them on the walls.
At the back of the restaurant, where you can enjoy it from the moment you walk in the door until you leave, is a photo of Mt. Baker I made at sunset. It’s a panoramic image, shot on film with my Fuji GX617 camera almost 20 years ago. The finished print is 28″ tall and 80″ wide. Continue reading →
I’m sure you’ve seen the bumper sticker, “I Brake For Flowers.” Well, I don’t just brake for them — when conditions are right I’ll drive thousands of miles for wildflowers. That’s just what I did in mid-March when I confirmed that the predicted “superbloom” at Anza-Borrego Desert State Park in southern California was actually happening.
A little back story: most of the wildflowers in the desert are annuals. Their seeds remain dormant until conditions are just right. When there’s enough rain at the right time during the winter and temperatures warm up not too fast then the desert can burst into spectacular masses of flowers. Most years only a few flowers bloom, but in 2017 conditions were just right for a massive bloom, which lasts for only a couple of weeks at peak. I couldn’t stay home. Continue reading →
As photographers we can easily fall into a rut of always seeing and photographing our world just one way. We find something that works and repeat. There’s not necessarily anything wrong with that, and done well it can be an important aspect of your style. But if you’re always photographing from eye level with a 50mm lens you’re missing out on alternative ways to tell visual stories.
The spring 2017 issue of the Association of Professional Landscape Designers (APLD) magazine, The Designer, features examples of my photography that show alternate views of the same garden. The story was written by Katie Elzer-Peters, a garden writer colleague I’ve known for several years. Continue reading →
Getting up in the air to photograph a subject from above presents options you just can’t get from the ground. And since I like beer, I jumped at the opportunity last September to photograph hops and the hops harvest in the Yakima valley. Continue reading →
Before you press your shutter release, take a good look at what’s in your frame. Pause a moment and take care of any little details you see that might detract from your photo.
In this pair of photos of the daylilies growing by our back door, in the first frame you see all the spent blossoms. That might be OK if the story you’re trying to tell is that daylily blossoms don’t last long and they linger on the stems until they dry up and fall off. But if what you’re after is a nice photo of daylilies blooming, then I think the photo looks a lot better with the spent blossoms removed.
It’s always easier to clean up details like this before capturing the image. Imagine how much time it would have taken in an image editing program like Photoshop to remove the spent blossoms and replace them with plausible background material.
I apply the same principle when photographing people. Let’s get that cat hair off your jacket before I trip the shutter.
It’s not exactly time travel, but you can freeze or expand time in your photos by choosing the right shutter speed. Grab your camera and take it out of its fully automatic mode and choose Shutter Priority instead. Now you can select the shutter speed that will treat moving subjects the way you want, rather than however your camera might randomly do it.
Moving water and sports action are two common subjects that benefit greatly from choosing the right shutter speed. Continue reading →
Sometimes you’ve just gotta put your face, and your camera, right down on the ground. Yep, down on your hands and knees, elbows in the dirt, maybe up close and personal with your subject.
If you’re like most of us, you make the majority of your photos from your standing eye level. You’re walking around and see something interesting so you put your camera to your eye and snap away. Nothing wrong with that, except that it gets boring when you’re always seeing the world from the same vantage point. Continue reading →
Last month Natalie and I vacationed in Yosemite National Park. It was her first visit, and I hadn’t been there in over 15 years. We spent a week in the park, enjoying early spring weather, grand views, waterfalls at their peak, and a few early wildflowers. While I briefly considered NOT carrying a camera on vacation, I couldn’t bear the thought that I might happen upon really wonderful light and weather conditions and not have the tools that would let me capture a unique view of this very heavily-photographed park. So I packed all my gear, some 30 pounds or so, and hauled it around on my back nearly every day. Continue reading →
Photographs lie. You may think that a photograph accurately represents an instant of reality frozen in time, but that’s not quite true.
While a photo may come much closer to portraying reality than a drawing or painting, as creative individuals we’re always using the tools at our disposal to stretch the truth. At the most basic, we choose what to include and what to leave out of the frame by where we position the camera and which lens we use. Camera position also affects how we perceive the relationship of objects within the frame. For example, by simply moving to one side I can eliminate a tree trunk or post seemingly growing out of Aunt Martha’s head. Continue reading →
Are you one of those photographers that dump all your photos into one “My Photos” folder on your computer without any organizing structure? If so, make getting your photos organized so you can find them one of your New Year’s resolutions for 2016.
Students in my photo workshops often ask me how I’m able to find all of the photos in my library. I’m a believer in having multiple levels of organization, from the physical way images are stored to detailed captions and keywords. This month I’ll address the bottom layer — physical organization — for digital files. There’s more than one way to address the problem, so figure out what’s going to work best for you in actual practice. The best system in the world is useless if you don’t use it. Continue reading →