There’s nothing like planting a mass of the same plant to create a big impact in the garden. This is part of a “river” of broad-leaved penstemon (Penstemon ovatus) with Douglas’s Iris (Iris douglasiana), which we planted last year in our new mostly-native garden near the front of the studio. Continue reading
Passions — a blog
If it’s February, it must be time for the Northwest Flower & Garden Festival (NWFGS) in Seattle. This year is the show’s 30th anniversary and the theme for the display gardens is “It’s a Garden Party.” The video slideshow runs about 13 minutes. Relax and enjoy.
I’ve been attending the NWFGS for nearly 20 years. It’s always a treat to see what the garden designers come up with. There’s color, fragrance, cool plants, water, texture, and structures — all coming together to pleasure your senses. Continue reading
Photography styles change over time. Currently we’re in a period of chasing ever-higher resolution and greater sharpness in photography. Many photographers capture large numbers of images during a portrait session since there’s no incremental cost (other than time and energy) with digital imaging.
But there’s another way, one that harkens back to the turn of the twentieth century. I’m starting to experiment with a slower process, with an old-fashioned lens, and fewer clicks of the shutter. The result is a more meditative and contemplative portrait with a softer look. I’m processing these images to black and white or sepia tones, in keeping with the technology of the late 19th and early 20th centuries. Continue reading
Early this spring I got a message from Judy Davis about photographing her extended family. She’d purchased a certificate at the Lighthouse Mission auction and wondered whether I’d be available on Mother’s Day or Father’s Day to create their portrait. We settled on Mother’s Day afternoon when their whole family would be together at their place outside Snohomish.
As I do for all my family portrait customers, I discussed clothing choices, whether we needed to schedule around nap times, and locations for the session. I stopped by their home outside Snohomish for a site visit on my way to another event east of the mountains. Judy’s husband, Bruce, was home that day and showed me around. We picked a place in their backyard with trees in the background that would have the sun behind everyone when we set up the portrait. We talked about having the grass mowed a few days ahead, as well as where we’d place their horse-drawn carriages. Did I mention that this portrait would include 19 people ages 3 to 93, a dog, and four Clydesdale horses?
With a plan in place, I arrived at the appointed time on Mother’s Day afternoon. It was a little chaotic with so many people in the house, but everyone was either dressed for their portrait or finishing getting ready. I set up my light, put my camera on my tripod, and made a few test shots with a volunteer family member. Then we herded everyone out of the house.
With large multi-generation families I like to group each individual family together so I asked all the kids to stand with their parents. That way I could see who went with whom. I began setting up the shot by seating the great-grandparents in the middle. Then I arranged each family around them, with some on the carriages and some on the ground, looking for nice comfortable individual family groupings that also had a good visual rhythm as a whole. I photographed a version without the horses first, just in case they didn’t cooperate.
Then Judy and her designated horse handlers brought the Clydesdales up from the barn and we arranged them behind the people, with one person holding the reins of each horse. I now had 24 pair of eyes to get looking at the camera at the same time! The horses needed to have their ears forward, showing attention, too.
I never count to three and have people say “cheese” because that produces fake smiles (and doesn’t work for horses anyway). I’m lively and animated behind the camera. Since I use a tripod and no one is moving, I can look people in the eye as I talk, make silly noises, and throw my magic hat in the air. For the horses, I have an app on my phone that plays horse sounds and almost always gets their ears up. Kids of all ages seem to get a smile with the horse sounds, too.
Once I finished with the large group, I set about photographing individual families and other groups on Judy’s shot list. As I worked, Bruce came over and pointed out that rain was on the way. Fast. We sent everyone back in the house, I stashed my camera and light under dry cover, and we developed Plan B. I suggested the barn and walked down to take a look. Judy was skeptical since it wasn’t spotlessly clean, but I convinced her that portraits there would look great. I carried my gear down and set up, then started bringing groups down for their portraits. When she saw the finished portraits she was pleasantly surprised how good her barn looked.
With everyone photographed, I packed up my gear. Then they invited me in for a snack and a beverage before I headed home. I don’t expect that from my clients, but am always grateful when it happens.
A few weeks later Judy came to the studio for her viewing and purchasing appointment. She ended up placing a nice order, including a 20” x 40” Signature Canvas portrait that will go on the wall in the room where Bruce and Judy spend most of their time. It will be a constant reminder of the love shared among all the members of their extended family. I’m honored to have been trusted with the Davis family memories.
I like Hostas. They’re a great garden plant, grown mostly for their foliage, hardy, colorful, and easy. Well, they’re easy if you don’t have deer. Since we have deer in our garden, we’re not currently growing any Hostas ourselves.
Earlier in August I had the opportunity to visit two fantastic woodland gardens south of Buffalo, New York that each feature over 1000 varieties of Hosta. I think that’s just a little crazy, but the gardens were a delight. Of course, they don’t just grow Hostas. Even with the great variety of shade of green, gold, and white, Hosta foliage alone won’t carry a garden. But think about how these plants can light up a shady border, form a groundcover, or be an accent.
This video slideshow illustrates some of the many ways Hostas can be used in the garden.
Photographed with a Sony A6300 camera, lightly processed in Adobe Lightroom, and slideshow created with Animoto. What you can’t see are all the other GWA: Association of Garden Communicators members who were visiting these gardens at the same time.
The fine folks in Buffalo, New York certainly do know how to garden. And they share their gardens with friends, neighbors, and garden lovers from around the world. They have a long-running Garden Walk Buffalo on the last weekend in July each summer. This year, several of the gardeners kept their gardens open for some 350 members of GWA: The Association of Garden Communicators as we visited their fine city for the annual GWA Symposium.
This video slideshow, which runs just shy of five minutes, showcases some of my favorite garden views in the Cottage District, Elmwood Village, and Lancaster Avenue neighborhoods. These were all walkable neighborhoods with largish old homes on narrow but deep lots. Most of the gardeners made use of nearly every square inch of space.
For the technically-inclined, I photographed these gardens with a Sony A6300 mirrorless camera and 16-70mm lens, mostly on a tripod. What you can’t see are the busloads of other garden photographers, writers, and on-air talent who were also visiting these gardens at the same time. Patience (and a little “would you please move a little”) goes a long way.
A few months ago my friend Tom Kilpatrick, who owns the Hilltop Restaurant on Guide Meridian just south of Axton Road, called me to inquire about a couple of new pieces of mountain art for the restaurant. I prepared a preview gallery and Tom picked a couple of favorite photos. I snapped pictures of the walls in the restaurant so I could show him how his choices would look and to help decide on the right size. We came to agreement on the size and price and I got printed ordered.
Today I took two beautiful canvas prints out to the Hilltop with my tools and got them on the walls.
At the back of the restaurant, where you can enjoy it from the moment you walk in the door until you leave, is a photo of Mt. Baker I made at sunset. It’s a panoramic image, shot on film with my Fuji GX617 camera almost 20 years ago. The finished print is 28″ tall and 80″ wide. Continue reading
April hikes in the North Cascades have to be at lower elevations unless you want to break out your snowshoes or skis. On a rainy Sunday it made sense for my friend Brian and me to choose the East Bank Baker Lake Trail and head to Noisy Creek. Neither of us had hiked this section of trail before.
At only 800 feet elevation, spring was in full swing along the trail. We inhaled deeply as we entered the woods, sucking in the sweet scent of moist humus and conifers. Much of the forest is old growth, the usual mix of Douglas-fir, western hemlock, and western redcedar, the understory a tangle of mossy logs and thickets of vine maples, salmonberries, and huckleberries. Without a trail it would be tough bushwhacking. Continue reading
I’m sure you’ve seen the bumper sticker, “I Brake For Flowers.” Well, I don’t just brake for them — when conditions are right I’ll drive thousands of miles for wildflowers. That’s just what I did in mid-March when I confirmed that the predicted “superbloom” at Anza-Borrego Desert State Park in southern California was actually happening.
A little back story: most of the wildflowers in the desert are annuals. Their seeds remain dormant until conditions are just right. When there’s enough rain at the right time during the winter and temperatures warm up not too fast then the desert can burst into spectacular masses of flowers. Most years only a few flowers bloom, but in 2017 conditions were just right for a massive bloom, which lasts for only a couple of weeks at peak. I couldn’t stay home. Continue reading
As photographers we can easily fall into a rut of always seeing and photographing our world just one way. We find something that works and repeat. There’s not necessarily anything wrong with that, and done well it can be an important aspect of your style. But if you’re always photographing from eye level with a 50mm lens you’re missing out on alternative ways to tell visual stories.
The spring 2017 issue of the Association of Professional Landscape Designers (APLD) magazine, The Designer, features examples of my photography that show alternate views of the same garden. The story was written by Katie Elzer-Peters, a garden writer colleague I’ve known for several years. Continue reading