In Focus — a bimonthly newsletter

Value of a Portrait

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What is the value of a professional portrait? Is it just the paper on which it’s printed? Or is it the memories enshrined on that paper or canvas that you enjoy each time you look at it? I would hazard a guess that memories win out every time.

Otto de Gruyter family portrait in Turner home

Otto de Gruyter family portrait in Turner home

The first thing you’ll see when you enter our home is a framed portrait of my great grandparents, Otto de Gruyter and Rhoda Jane Hill, with their three children, my granddaddy Olen and his two sisters, Eunice and Iona. The portrait was made around 1909. It’s a formal pose, perhaps a little stiff, which was characteristic of the period when film was slow and portrait subjects had to hold still for several seconds.

I remember this portrait sitting on an easel in Aunt Eunice and Iona’s home when we visited, the same house where they grew up. When they died in the 1970s my mother inherited the portrait. She had a copy negative made and gave copies to her six brothers and sisters and to their children. When she died in 2001 the portrait passed down to me. It took a while, but we eventually made room for it in our home.

This family portrait is much more than a mere piece of paper. The photographer’s name is long lost. What’s important is the connection made across five generations, from my great grandparents to my children. The portrait is one of the few physical objects that makes that connection, and that makes it real, more than bits of linen tucked away in a chest for safe keeping. Seeing this portrait triggers memories of stories I heard as a young man of my great-grandfather immigrating from Germany to central West Virginia with his brother, of his time as an itinerant clock and watch repairman going from house to house, and of establishing a storefront jewelry store that was operated by three generations.

Yes, this mere piece of paper, hanging on our wall in an old and somewhat battered frame, is a treasury of memories.

When you’re ready to have your family photographed, think of the memories you’ll be placing in your own frame, the stories you’ll tell your grandchildren, and the stories their children will pass down to their children when the time comes. You don’t want to wait too long to have that important portrait made.

And if you think you just want a digital file, remember how fast technology changes and how temporary and fragile digital files are. Will your grandchildren be able to enjoy that DVD?

Give me a call at 360-671-6851 to discuss the legacy you’ll leave in your heirloom family portrait. Do it now, and plan for a summer session.

Plant of the Month: Pacific Dogwood

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Pacific Dogwood

Pacific Dogwood

Pacific Dogwood is a showy northwest native tree that blooms from late April to late May. It’s just one of the dogwoods native to North America. The grove of dogwoods above was photographed last May along California Route 32 near Forest Ranch.

One of my memories of spring in West Virginia, where I grew up, is hillsides dotted with dogwood trees in bloom. Their showy white bracts, which look like giant petals, appear about the time the leaves are starting to unfold. The eastern species, Cornus florida, is commonly planted in home landscapes across North America. Continue reading

Digital Photo Tip: Watch Your Horizon

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The strongest photographs lead the viewer to concentrate their attention on the subject and minimize anything that might be distracting. One thing that’s easy to miss is the relationship of the horizon line to your subject, particularly when photographing people. You don’t want the horizon to slice through someone’s head. Continue reading

Washington Wildflowers: A New Standard in Wildflower Smartphone Apps

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This is a birth announcement of sorts. My close friends know I’ve been working with a small team for the last several months to create a new smartphone field guide to Washington state wildflowers. Washington Wildflowers went on sale April 8. It’s been a long journey, but we think it’s worth the wait. Keep reading for links to where to purchase it.

Washington Wildflowers launch screen

Washington Wildflowers launch screen

University of Washington Herbarium at the Burke Museum, the authors of Wildflowers of the Pacific Northwest, and High Country Apps have partnered to produce the new Washington Wildflowers plant identification app for iOS and Android devices. The app provides images, species descriptions, range maps, bloom period, and technical descriptions for more than 850 common wildflowers, shrubs, and vines that occur in Washington and adjacent areas of British Columbia, Idaho, and Oregon. The majority of species included are native, but introduced species common to the region are covered as well in order to expand the usefulness of this resource. Most of the 850 species are illustrated with three photographs, usually a blossom detail, the entire plant, and often a habitat view. I made almost all of the photographs, the exceptions being a few plants I have yet to find. Continue reading

Digital Photo Tip: Sharp and Fuzzy

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One of my readers asked me recently, “How do I control depth of field and get a fuzzy background in my photos?” It’s a technique I use a lot to help create contrast between subject and background. This month I’m sharing the secrets to this professional tool.


Oregon-grape blossoms, wide aperture, telephoto lens, close-up
Oregon-grape blossoms, wide aperture, wide-angle lens, close-up

First, a definition of the term. Depth of field describes the area in front of (closer to the camera) and behind the subject that appears acceptably sharp when the lens is focused on the subject. We often describe it as “shallow” when only the plane of focus is sharp, and “deep” when more elements in the photo in front of and behind the subject are sharp.

Continue reading

Plant of the Month: Coast Fawn Lily

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Delicate pink blossoms, pendant atop curving scapes, single or in pairs, beam a spot of color among emerging green on the forest floor this month. Coast fawn lilies (Erythronium revolutum) are one of our ephemeral spring beauties in the Pacific Northwest.

Pink Fawn Lily blossoms

Pink Fawn Lily blossoms

Coast fawn lily, also known as pink fawn lily, favors moist shady forests, including stream banks and other wet places, near the Pacific coast from British Columbia to California. According to Flora of North America it’s rarely found more than 100 km from the coast. Distribution is sporadic, and while the species is not rare I haven’t seen it myself in very many places.

Continue reading

Digital Tip: When One Exposure Is Not Enough

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1204906 John Day River [panoramic merged] [Juniperus occidentalis]. OR 19, Kimberly, OR. © Mark Turner

John Day River valley, merged panorama

I’m a big fan of doing all the necessary preparation work to capture my vision in a single exposure, with all the elements in place in the instant the shutter is open. But sometimes that just isn’t possible and I rely on some of the digital magic that allows me to combine multiple exposures into a single finished image.

There are three main reasons I’ll create a composite image:

  • Subjects, particularly in a large group portrait, don’t all cooperate at the same time
  • The brightness range in the image is greater than my camera’s sensor can accommodate
  • The subject is too large, or the working space too small, to fit into one frame

The key to creating a composite digital image is planning ahead. It’s not something you can do successfully, and believably, without knowing where you’re going. I always use a tripod so as many elements as possible line up perfectly.

Unless I’m going to use High Dynamic Range (HDR) techniques to fit a wide brightness range into a single frame I make sure my exposure is that same for each frame that I’ll be blending. That almost always means manual exposure and a constant aperture. I don’t touch the zoom on my lens and I keep my lighting the same.

Let’s examine each of these three variations on blending multiple exposures. Continue reading

Plant of the Month: Indian Plum

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Photo: Indian Plum blossoms

Indian Plum blossoms


Spring is in the air. Days are getting longer, the soil is warming up, we’re getting a little less rain, and buds are swelling on the trees and shrubs. Some of the catkin-bearing trees are already blooming. But one of the first real signs of spring for me in the Northwest is when the Indian plum (Oemleria cerasiformis) blossoms open. Continue reading

Learn Photography, Learn Plants

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Photo: Mark Turner teaching

My lecture and workshop schedule is shaping up to be busy this year. I hope you’ll be able to join me for one or more of them.

I’ll be teaching photography classes for people with digital SLRs, pocket cameras, and iPhones. My native plant lectures include the dry area in central Washington and the region within walking distance of high tide.

I love to teach and my students consistently report how much fun they have and how much they learn in my classes.

Here’s the lineup. Continue reading

Plant of the Month: Slough Sedge

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Our mild Pacific Northwest winters mean there are numerous plants that stay green year-around and they’re not all conifers. This month’s plant could easily be mistaken for some kind of grass, which it resembles at first glance. I’m talking about slough sedge, Carex obnupta.

Slough Sedge
Slough Sedge

If you’ve visited a wetland almost anywhere on the west side of the Cascades you’ve likely seen slough sedge. It’s one of our most common sedges, growing in wet places throughout our region. Continue reading