Wahoo!

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Western Wahoo blossomWestern Wahoo, otherwise known as Western Burning Bush or Euonymus occidentalis, is an uncommon shrub in the forests of southwest Washington. In fact, it’s considered a sensitive species and the online herbarium records withhold the exact locations of the specimens.

In Oregon, Western Burning Bush is scattered in northwestern counties and occasional elsewhere west of the Cascades. A friend pointed me to a roadside population along Oregon Route 6 northwest of Forest Grove.

Wahoo is more common in California where it’s found in several counties, mostly in the northwest and along the central coast. But it’s not common anywhere in the region.

Wahoo grows in shaded forest habitats as a rather straggly understory shrub. It would be easy to miss it if you weren’t looking for it. Which is exactly what I was doing last Tuesday. Continue reading

Roadside Treasures

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I’ve been logging a lot of road miles this spring while seeking trees and shrubs for a new book. But it’s not all work and no fun.

California Ground-ConeThis afternoon, after wrapping up a three-day photography workshop for the Siskiyou Field Institute in Selma, Oregon, I headed south on US 199 toward Gasquet, California. It’s only about 40 miles and I was on the lookout for several trees and shrubs. One of my scouted locations was on the old highway over Oregon Mountain, now a little-traveled back road with crumbling asphalt and wilderness-like conditions on both sides.

As I came around one of the switchback corners I spied a pair of huge western white pine trunks and decided to stop for a photo. Almost immediately I noticed the unusual and uncommon California ground-cone growing at the base of the trees. Technically, the ground-cone was under a scraggly madrone. That’s the host plant for this parasitic flowering plant with no leaves and no chlorophyll.

I moved a fallen white pine cone next to the ground-cone to show how much this plant resembles a pine cone. It’s a very cool plant, but one that I think would be nearly impossible to grow in a garden. As I drove on down the road I found another pair of ground-cones right at the edge of the old asphalt.

California Ground-ConeEven up close, ground-cone looks a lot like a pine cone. The individual flowers themselves are nearly hidden inside the purplish bracts.

You can see more photos of this plant (but not as fresh as the one I photographed today) on the PNW Flowers website. The photos there were made just a few miles west, on the outskirts of Grant’s Pass, Oregon back in 2004.

Siskiyou IrisJust on the Oregon side of the border, splayed out across the grassy expanse under a power line, I found masses of Siskiyou Iris, Iris bracteata. There are scattered clumps of these yellow gems all over the southern Oregon Siskiyou region right now, but I’d never seen so many in one place. These were just outside the tiny burg of O’Brien and right at the side of US 199.

Siskiyou Iris are very growable in gardens. We have a couple of plants in our Bellingham garden, where they bloomed a week or so ago. Color is variable, from pale to deep yellow. They’re part of the complex of iris often referred to as Pacific Coast Iris.

The shocking roadside flower discovery late in the day, and along a narrow stretch of highway with no place to pull over, was a clump of California lady-slipper orchids and several clumps of Siskiyou lewisia. Both plants were growing from cracks in a cliff above the road along the Middle Fork Smith River. I had to content myself with merely enjoying a fleeting glance at them as I drove by.

Be sure to keep your eyes open, and your botany ID skills sharp, as you drive around. You never know what you might discover in an unexpected place.

When you stop to photograph roadside gems, be sure to find a safe wide spot to pull over and watch for traffic. I made these images with my 100mm macro lens, my favorite for photographing flowers. Clouds had rolled in and I worked in a light rain while shooting the ground-cone.

Change Your Lens, Change Your Photo

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You know that a wide-angle lens includes a lot more in the picture than a telephoto lens. You also know that the wide-angle expands the sense of space, making objects close to the camera much larger in relation to those farther away.

Balsamroot: 16mm lens
Here’s a dramatic example of the difference. This photo, shot with a 16mm lens on my full-frame sensor Canon 5d Mark II camera, was made yesterday morning on Hayward Hill near Thorpe, Washington. The hillside was covered with balsamroot and lupines, a typical combination for this part of central Washington in the spring.

Notice how the flowers expand into your experience. I placed the camera fairly high and shot down on them to keep a white drizzly sky out of the frame, but included as much of the hillside as possible. The flowers were 0.410 meters (about 1 foot, 4 inches) from the lens. You can see there’s quite a bit of space between the balsamroot in the foreground and the lupines behind them, as well as the next clumps of balsamroot on up the hill.

Balsamroot: 400mm lens
In the second photo we’re looking at the same group of flowers, but this time photographed with a 400mm lens. That’s my 70-200 with a 2x extender at the maximum zoom. Here I’ve backed off from the flowers, which took me down the hill. Now the lens is 8.4 meters (about 27 feet, 6 inches) from the flowers. The balsamroot flowers are actually smaller in the frame than in the first photo. Just because you shoot with a longer lens doesn’t necessarily make the subject bigger.

Now the foreground flowers are clearly isolated from the background by shallow depth of field, but at the same time those background flowers are much larger and apparently closer to the ones up front. This is the telephoto compression effect.

Both of these photos were made at f/8 so you can also see the dramatic difference in depth of field between the wide and telephoto variations.

These are just the two extremes of a series of images I made of these flowers. See them all on the Kittitas May 25 page of Pacific Northwest Wildflowers. I shot the series to go into the slide lecture I use when teaching flower photography.

Next time you’re out photographing, try experimenting with different lenses as you work the same subject. It’s a great learning experience regardless of whether you use a big digital SLR or a tiny pocket camera. You may surprise yourself, discovering you like a different variation than you expected.

For those particularly interested, the arrow-leaved balsamroot is Balsamorhiza sagittata and the lupines are Lupinus sulphureus.

Come Hither, Sexy

Common Filbert female blossomWhen you’re tiny and looking to get pollinated this early in the season you’ve gotta put on a show. At least that’s one way to look at this Common Filbert, Corylus avellana, blossom. All that feathery red stuff is part of the female flower. Dangling in the background are the long male catkins which soon will be releasing drifts of pollen to be carried across the void.

You can see other bits of red, more female blossoms, on other twigs here. That big fat bud at the base of the flower is actually the ovary. It’s going to turn into a tasty nut, fine food for a squirrel or human, later in the season.

Common Filbert is one of the first trees or shrubs to bloom around here. It’s actually an escapee from cultivation. Our native species, Beaked Hazelnut or Corylus cornuta, won’t start blooming until March. The two species look very much alike when they’re in flower. Actually, they’re hard to tell apart any time except when they’re in fruit. And then you have to beat the squirrels to them.

Common Filbert male catkinsHere are the male flowers on the same plant. Each dangling catkin has many individual blossoms. Last year’s foliage is still on some of the branches, weathered to a nice shade of brown.

These photos were made this morning along the Whatcom Creek Trail in downtown Bellingham between Grand and Dupont. The trail has lots of nice native trees and shrubs, mostly planted in a restoration project about ten years ago. I also noticed swelling buds on the Indian Plum, another plant that blooms very early. But it’s going to be at least another week and maybe two before its flowers start to open.

I walk this route frequently on my way to the Post Office or other downtown errands. Today I just headed out to clear my head, carrying my Canon G12 in my pocket. I shot in the cold fog with natural light and used macro mode and manual focus to get close and keep my subject sharp. The trick was to set the focus as close as possible and then move the camera back and forth until the blossoms were sharp. Like most pocket cameras, the macro mode works best when the zoom is at its widest setting. That means camera position is critical to keep distracting elements out of the background.

My photographer friend David Perry blogged about Tiny, magenta girl-flowers about a year ago. Check out his take on sexy Corylus.

Shining Oregon-grape blossoms

Oregon-grape is another shrub that can start blooming very early, although not all specimens are as early as this one along the same trail. In our back yard it will be at least a month before the Oregon-grape begins to blossom.

What have you seen blooming? My friend Janet Loughrey posted a series from Portland yesterday on her Facebook that included Crocus naturalized in a lawn. Some of my native plant society colleagues down in Oregon have been reporting first blooms of Grass Widows and Salt-and-Pepper Lomatium in the Columbia Gorge.

A Seedy Affair

Burnet seedheads in container on wallResist the temptation. Do not get in a hurry to cut down those spent flower stems when the blooms fade.

Dry flower heads, seedpods really, can be almost as interesting as the flowers were. And many of them are attractive to small birds that come foraging for a mid-day snack.

This container, sitting on a wall in the Denver Botanic Gardens over Thanksgiving weekend, has what I think are Burnet seedheads. At least those elongated pods look a lot like Burnet. But maybe I’m wrong. Doesn’t really matter because they’re interesting sitting there, all dried out, but worshiping rainshadow sunshine.

They’re photographed against the sun and the rich blue sky. The light coming from behind rims each head, turning them into glowing miniature pom-poms. I chose a low camera angle to keep the background uncluttered. In my ideal world the jets would have been grounded. I suppose I could made the contrails disappear with a little retouching. Continue reading